What is historically informed performance

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Video What is historically informed performance

1 Musica Viva Australia – Historically Informed Performance

  • Author: musicaviva.com.au
  • Published Date: 11/18/2021
  • Review: 4.83 (710 vote)
  • Summary: · Historically informed performance (‘HIP’) is all about attempting to recreate the sounds that listeners may have heard in the days before 
  • Matching search results: Like any art form, music isn’t static – it has evolved over hundreds of years, not just in sound but in practice. Composers innovate, instruments are improved upon, and the notion of what is musically ‘correct’ is refined. The search for an …

2 Historically informed performance: Baroque revolution | Premium ❘ Feature | The Strad

  • Author: thestrad.com
  • Published Date: 06/02/2022
  • Review: 4.75 (444 vote)
  • Summary: · Historically informed performance requires no secret code, argues Baroque violin professor Walter S. Reiter. The information is out there 
  • Matching search results: Like any art form, music isn’t static – it has evolved over hundreds of years, not just in sound but in practice. Composers innovate, instruments are improved upon, and the notion of what is musically ‘correct’ is refined. The search for an …

3 Historically Informed Performance — The Well-Tempered Timpani

  • Author: wtt.pauken.org
  • Published Date: 03/03/2022
  • Review: 4.52 (470 vote)
  • Summary: For many years, this approach was applied primarily to music composed before 1750, from the Medieval, Renaissance, and Baroque eras. In recent years, however, 
  • Matching search results: Like any art form, music isn’t static – it has evolved over hundreds of years, not just in sound but in practice. Composers innovate, instruments are improved upon, and the notion of what is musically ‘correct’ is refined. The search for an …

4 Whatever happened to Historically Informed Perrformance?

  • Author: earlymusicworld.com
  • Published Date: 12/10/2021
  • Review: 4.38 (464 vote)
  • Summary: A polemical article arguing that historically informed performance (HIP) of early music needs to look to new challenges
  • Matching search results: If any single topic illustrates the lack of progress made by the period instrument movement it is the continued use of what we blithely term the Baroque violin, an all-purpose, gut (often wound) strung instrument used by most players for any music …

5 What would Handel do? Historically informed performance, then and now | Bachtrack

  • Author: bachtrack.com
  • Published Date: 02/14/2022
  • Review: 4.03 (358 vote)
  • Summary: · Historically informed performance (HIP) has its roots in Arnold Dolmetsch’s work with the recorder, which extends right back into the late 
  • Matching search results: As the HIP movement developed in the second half of the 20th century, the questions changed. To begin with, people just wanted to rediscover old music. Then came the desire to perform it on the original instruments and with contemporaneous …

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6 Society for Historically Informed Performance (SoHIP) Early Music America

  • Author: earlymusicamerica.org
  • Published Date: 02/06/2022
  • Review: 3.98 (437 vote)
  • Summary: The Society for Historically Informed Performance grew out of the Boston early music community’s desire for more performance opportunities, as interest in 
  • Matching search results: As the HIP movement developed in the second half of the 20th century, the questions changed. To begin with, people just wanted to rediscover old music. Then came the desire to perform it on the original instruments and with contemporaneous …

7 Historically Uninformed Views of Historically Informed Performance | The Journal of Aesthetics and Art Criticism | Oxford Academic

  • Author: academic.oup.com
  • Published Date: 08/13/2022
  • Review: 3.69 (443 vote)
  • Summary: · According to Haynes, historically informed performance is chiefly concerned with style copying, because “we as musicians do not reproduce any 
  • Matching search results: That is, the lute has been used to play pieces with a more prominent contrapuntal or lyrical character, while the dry, trebly sound of the vihuela has been deemed appropriate to pieces with a strong rhythmical component. This choice is particularly …

8 University of Glasgow – Research – Glasgow Research Beacons – Cultural & Creative Economies – Research features – Historically informed performance

  • Author: gla.ac.uk
  • Published Date: 07/01/2022
  • Review: 3.59 (251 vote)
  • Summary: Professor Butt has a long standing interest in historically-informed performance, looking at how music was originally performed and how performance affected 
  • Matching search results: Professor Butt has a long standing interest in historically-informed performance, looking at how music was originally performed and how performance affected the way music was written. He has been highly influential in bringing ‘historically …

9 Historically-informed Performance Encounters Music Education and Examination: the Case of Vivaldis RV 356 – Music and Practice

Historically-informed Performance Encounters Music Education and Examination: the Case of Vivaldis RV 356 - Music and Practice
  • Author: musicandpractice.org
  • Published Date: 04/24/2022
  • Review: 3.34 (445 vote)
  • Summary: In recent decades, Historically Informed Performance (HIP) has had a strong impact upon mainstream musical performance (MSP), just as Sir Roger Norrington has 
  • Matching search results: Nowadays, historical awareness is so crucial, applying as it does not just to music of the eighteenth century but that of the nineteenth and early twentieth too, that it seems perverse and inefficient to ignore it in the first place and then …

10 Historically-Informed Performance: Why ‘HIP’ Is So Hip | Wisconsin Public Radio

  • Author: wpr.org
  • Published Date: 11/16/2021
  • Review: 3.05 (283 vote)
  • Summary: · The HIP approach seeks to place a piece of music in its original context, enabling audiences to experience it more as the composer conceived it
  • Matching search results: Starting after World War II, with the Concentus Musicus Wien, proponents of the historically informed performance, or HIP, seek to use original instruments, tunings and performance techniques. The style provided a crisp, more transparent and …

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11 Transforming 19th-Century Historically Informed Performance | University of Oxford

  • Author: ox.ac.uk
  • Published Date: 01/09/2022
  • Review: 2.92 (117 vote)
  • Summary: · Transforming 19th-Century Historically Informed Performance … A project which will shed light on how musicians rehearsed and interacted with 
  • Matching search results: Starting after World War II, with the Concentus Musicus Wien, proponents of the historically informed performance, or HIP, seek to use original instruments, tunings and performance techniques. The style provided a crisp, more transparent and …

12 Christopher Hogwood, Founder of the &039Historically Informed Performance&039 Movement, Dies – JSTOR Daily

  • Author: daily.jstor.org
  • Published Date: 06/06/2022
  • Review: 2.8 (152 vote)
  • Summary: · Hogwood’s career, which spanned five decades, was defined by his groundbreaking quest for authenticity in the performance of early music, a 
  • Matching search results: “Some elements in our ‘Baroque’ style are definitely contrary to the practice of the period,” Temperley writes. “The most glaring is the use of countertenors to sing castrato parts. Handel always used a woman if there was no adequate castrato…” …

13 Historical authenticity in performance (Historically informed performance) – Telework

Historical authenticity in performance (Historically informed performance) - Telework
  • Author: telework.ro
  • Published Date: 12/09/2021
  • Review: 2.75 (131 vote)
  • Summary: · The expression historically informed performance (HIP) designates a musical interpretation movement developed in the 20th century and more 
  • Matching search results: The harpsichord is the predecessor of the piano, occupying similar roles as a soloist or accompanying instrument. The first differs from its successor by the volume of sound, technique and playing mechanism, the strings being plucked and not struck. …

14 Musical Giants of the 20th CenturyHistorically Informed Performances : Interlude

  • Author: interlude.hk
  • Published Date: 09/08/2022
  • Review: 2.56 (144 vote)
  • Summary: · A leading figure in the historically informed performance movement, Ton Koopman believes that to achieve authenticity in performance one has to 
  • Matching search results: The harpsichord is the predecessor of the piano, occupying similar roles as a soloist or accompanying instrument. The first differs from its successor by the volume of sound, technique and playing mechanism, the strings being plucked and not struck. …

15 Historische Aufführungspraxis – einst und heute – Goethe-Institut

  • Author: goethe.de
  • Published Date: 03/26/2022
  • Review: 2.48 (183 vote)
  • Summary: As a working repertoire the field of historical performance practice was initially that of what was considered early music: music from the Middle Ages to about 
  • Matching search results: Musical texts are not a set of operating instructions that the musician may implement to obtain from a musical work the appropriate sounds. Even a seemingly clear indication pertaining to a level of loudness marked ‘piano’ is open to interpretation, …

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16 Introduction to Historically Informed Performance | Early Music and Historically Informed Performance Practice

  • Author: earlymusic.dikmans.net
  • Published Date: 08/20/2022
  • Review: 2.42 (67 vote)
  • Summary: What is historical performance? And why should we spend time studying and making sense of the historical source materials? The sources provide many ideas to 
  • Matching search results: The problem, then, is how best to proceed with the study of the performance of Early Music or indeed any performance style. First the essential distinction, implied in the preceding discussion, needs to be made between (historical) performance …

17 Historically Informed Performance | Elysium Ensemble (Australia) | Early Music on Period Instruments | Historically Informed Performance Practice

  • Author: elysiumensemble.com
  • Published Date: 04/15/2022
  • Review: 2.39 (187 vote)
  • Summary: ‘ [Ch. 6] in Authenticity and early music: a symposium , 1988) is ‘convinced that ‘historical’ performance today is not really historical; that a thin veneer of 
  • Matching search results: Richard Taruskin (in ‘The pastness of the present and the presence of the past.’ [Ch. 6] in Authenticity and early music: a symposium, 1988) is ‘convinced that ‘historical’ performance today is not really historical; that a thin veneer of …

18 Historically Informed Qin Performance

  • Author: silkqin.com
  • Published Date: 12/10/2021
  • Review: 2.2 (175 vote)
  • Summary: In the West when an audience goes to hear a performance of early music they generally expect a faithful representation of that style according to the principles 
  • Matching search results: Richard Taruskin (in ‘The pastness of the present and the presence of the past.’ [Ch. 6] in Authenticity and early music: a symposium, 1988) is ‘convinced that ‘historical’ performance today is not really historical; that a thin veneer of …

19 It’s time for classical performers to stop being Hip | Music | The Guardian

  • Author: theguardian.com
  • Published Date: 07/16/2022
  • Review: 2.01 (151 vote)
  • Summary: · Such is the dichotomy of the so-called “historically informed performance” movement (Hip for short), which, like most hip things, 
  • Matching search results: Richard Taruskin (in ‘The pastness of the present and the presence of the past.’ [Ch. 6] in Authenticity and early music: a symposium, 1988) is ‘convinced that ‘historical’ performance today is not really historical; that a thin veneer of …

20 Historical Performance | Nuova Pratica

  • Author: nuovapratica.com
  • Published Date: 08/08/2022
  • Review: 2 (160 vote)
  • Summary: Historically informed performance includes both using historical equipment, such as original instruments or copies of original instruments, and trying to 
  • Matching search results: Richard Taruskin (in ‘The pastness of the present and the presence of the past.’ [Ch. 6] in Authenticity and early music: a symposium, 1988) is ‘convinced that ‘historical’ performance today is not really historical; that a thin veneer of …

21 Start Here – Historical Performance Practice – Research Guides at University of Oregon Libraries

  • Author: researchguides.uoregon.edu
  • Published Date: 08/11/2022
  • Review: 1.93 (134 vote)
  • Summary: · Use the menu bars on the left to find resources for historically-informed performance practice of music from the Medieval, Renaissance, 
  • Matching search results: Richard Taruskin (in ‘The pastness of the present and the presence of the past.’ [Ch. 6] in Authenticity and early music: a symposium, 1988) is ‘convinced that ‘historical’ performance today is not really historical; that a thin veneer of …

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